Ida Yoshinaga
Assistant Professor
- School of Literature, Media, and Communication
Overview
Maui-raised sansei Ida Yoshinaga is a non-traditional scholar of film, television, and media studies working at the intersection of genre theory; cultural studies; and cinematic production studies. A hybrid scholar-practitioner of the speculative/fantastic arts, she specializes in cultural screen stories including community-engaged movies and community-facing network/cable/streaming shows, with a focus on story development, cross-cultural adaptation, and the politics of pre-production as well as of cultural reception, as these processes apply to the scripted (fictional) screenplay form. Her work can be found in the collection of thinkpieces on science-fiction/fantasy (SFF) studies in the new millennium, Uneven Futures: Strategies for Community Survival from Speculative Fiction (MIT Press 2022), which she co-edited with Sean Guynes and Gerry Canavan; The Routledge Companion to Gender and Science Fiction (2022), where she put together an introductory roundtable of feminist, queer, and trans SFF fiction authors from different cultural and regional backgrounds; The Routledge Companion to Media and Fairytale Cultures (2018) in which she applied the concept of transmedia/storyworlds to fairytale narratives; and journals such as Narrative Culture, Marvels & Tales, Science Fiction Studies, The New Ray Bradbury Review, The Journal of the Sussex Center for Folklore, and Science Fiction Film and Television, the last for which she is one of a team of five main editors.
Dr. Yoshinaga currently sits on the editorial boards of the Journal of the Fantastic in the Arts, Science Fiction Studies journal, Peter Lang Publishing's World Science Fiction Series, and the new International Journal of Disney Studies. She has won the RD Mullen Ph.D. grant for speculative-fiction archival research from Science Fiction Studies journal; the Walter James Miller Award for Student Scholarship in the International Fantastic from the International Association for the Fantastic in the Arts; the Grace K. J. Abernethy Creative Writing Award from her alma mater, the University of Hawaiʻi-Mānoa; and the Crown Prince (Emperor) Akihito Scholarship.
- PhD, University of Hawaiʻi at Mānoa, Dept. of English, Creative Writing Program
- MA, University of Hawaiʻi at Mānoa, Dept. of English, Creative Writing Program
- MA, University of Hawaiʻi at Mānoa, Dept. of Sociology
- BA, University of Hawaiʻi at Mānoa, Asian Studies Program (Dept.)
Interests
Introduction to fantasy TV
Peak / "prestige" television
Science-fiction/fantasy fiction and film writing
Cultural and community organizing within mass-media capitalism
Screenwriting history and theory
- Communication
- Digital Humanities
- Japanese
- Literary and Cultural Studies
- Media Studies
Focuses:
- Asia (East)
- North America
- United States
- United States - Georgia
- Gender
- Antitrust Law and Policy
- Assessment
- Campus-Community Engagement
- Cinema Studies
- Community engagement
- Creativity in Context
- Cross-Cultural Understanding
- Digital Humanities
- Disability
- East-Asian Studies
- Education
- Film History and Theory
- Globalization and Localization
- Impacts and Consequences of Race/Ethnicity
- Indigenous Studies
- Inequality and Poverty
- Inter- & Intra-Cultural Business & Technology Practices
- Intercultural Issues
- Intergenerational Issues
- Journalism
- Media
- Media Production
- Mediatized Culture
- Political Economy
- Preservation of Community Histories
- Science Fiction
- Small and Midsize Enterprises
- Television Studies
- Women’s Leadership
Courses
- LMC-3206: Communication & Culture
- LMC-3215: Science Fiction Film TV
- LMC-3234: Creative Writing
- LMC-3252: Studies in Film and Television
- LMC-3253: Animation
- LMC-8803: Special Topics
Publications
Books
- Disney’s Moana, the Colonial Screenplay, and Indigenous Labor Extraction in Hollywood Fantasy Films
In: Narrative Culture 6.2 (188-215), Fall 2019
- Hidden Fantastic Modalities of Shonda Rhimes's Procedural Dramas
In: The Works of Shonda Rhimes (2024, Screen Storytellers Series), ed. Anna Weinstein
- Science Fiction Studies 3.0: Re-Networking Our Hive Mind
In: Uneven Futures: Communities Strategies for Survival from Speculative Fiction (2022), eds. Ida Yoshinaga, Sean Guynes, and Gerry Canavan
- The Coconut Cinematic Universe: Visual Sovereignty in the Niu Trilogy
In: New Directions: Indigenous Collecting, Exhibiting, Filming, eds. Philipp Schorch and Vilsoni Hereniko (forthcoming)
Updated: Jan 29th, 2026 at 1:54 PM